Welcome to Harp Perspectives, Cruit Éireann, Harp Ireland’s online journal.
One of our strategic aims is to establish thought leadership across the harp sector by building up a body of thinking about the harp and harping through a historical and contemporary lens.
Harp Perspectives is the beginning of a conversation about harping and features key informants, harpers and non-harpers, sharing their authentic views and ideas.
We believe that this combination of scholarly research and personal insights will highlight the harping legacy inherited from our tradition bearers and help forge a contemporary harping identity, secure in its understanding of its origin and how it wishes to evolve.
MY REGARDS TO THE GUARDIAN OF GENEROSITY | Feargal Mac Amhlaoibh
In our November edition pf Harp Perspectives, we welcome a voice from the southwest where Feargal Mac Amhlaoibh narrates the story of Piaras Ferriter, iconic Gaelic poet and accomplished harper from West Kerry. He transcribes the poem Piaras wrote in praise of a harp he received as a gift from fellow local harper Éamonn mac Domhnaill Mhic an Daill, about 1640. Feargal describes the repression suffered by harpers and poets in the early 1600s under the reign of Queen Elizabeth 1 who ordered her representatives in Ireland “to hang the harpers, wherever found, and destroy their instruments”.
THE INFANT LYRA: An Irish musical prodigy | Mary Louise O’Donnell
In our October edition of Harp Perspectives, Mary Louise O’Donnell recounts the story of the Irish harp player Isabella Rudkin, a child prodigy known as the ‘Infant Lyra’ who was a musical phenomenon in the 1820s. By the age of 10 years, Isabella had performed for royalty and aristocracy, upstaged a young Franz Liszt at concerts in Manchester in 1824 and was celebrated as a ‘specimen of Irish genius’.
ROSE and CATHERINE: Two 18th Century Female Harpers Found in Edward Bunting's Manuscripts
Our September edition of HARP PERSPECTIVES features the research of renowned harp player Eilís Lavelle. Eilís reviews the historical references to two female harpers, Rose Mooney and Catherine (Kate) Martin, to whom Edward Bunting has attributed notations in his manuscript collection and publications.
CAIRDE NA CRUITE: The Foundation and Early Years | TERESA O'DONNELL
Our August edition features the research of renowned harp player and musicologist, Teresa O’Donnell, as she traces the history of Cairde na Cruite, Friends of the Harp from its foundation, more than sixty years ago, through its early years. Meet its illustrious founders and admire their foresight as they paved the way for the revival of the Irish harp.
A GERMAN VISITOR, AN IRISH HARPER, AND A DUBLIN BOOT-MAKER: The Background to a Tale Told by Arthur O’Neill | SEÁN DONNELLY
Our July edition features Seán Donnelly, one of our foremost commentators on early Irish harping and the music performed by the harpers. He paints vivid pictures of their travels and entertains us with countless anecdotes about their exploits. This piece talks about the well-known air ‘Táimse im’ chodladh’. In the coming months, we will be welcoming many other voices to the conversation and hope that they will broaden horizons and provide new perspectives on current and future harp directions.
FINDING A VOICE: PERFORMANCE RESEARCH ON THE IRISH HARP | KATHLEEN LOUGHNANE
Kathleen Loughnane shares an evocative picture of her harp journey from the mid sixties until now. She recounts the evening sessions at the Chariot Inn in Ranelagh where Séamus Ennis was in 'full flow', sessions with Éamonn Ó Bróithe and Liam Lewis at Club Áras na nGael in Galway and the influences on her harp playing through the years.
ORIGINS OF THE MODERN IRISH HARP: JOHN EGAN AND JAMES MCFALL | NANCY HURRELL
Nancy Hurrell, harpist and historian shares her thoughts about the ORIGINS OF THE MODERN IRISH HARP: JOHN EGAN AND JAMES MCFALL and describes a time when the harp faced an uncertain future in Ireland. She traces how the cultural revival movement inspired talented craftsmen to develop new forms of Irish harps and infuse new life into the tradition. She introduces us to two influential harp makers - John Egan and James McFall – and gives us a fascinating insight into their influence on the future of the harp in Ireland.
TRADITION, LINEAGE AND REVIVAL | SIMON CHADWICK
Do you know who your teacher’s harp teacher was? Who was their harp teacher? How far back can you go? Tracing your lineage like this can give you an important sense of your place in the wider harp tradition. In Tradition, Lineage and Revival, early Irish harper and researcher, Simon Chadwick, shares his thoughts about how reflecting on our harp lineage helps us understand how the Irish harp tradition has developed and changed over time, and whether a focus on harp lineage give us any idea about how harping will continue to evolve in the future.